New Favourite Illustrator

In Your Soul are Infinitely Precious Things That Cannot
 Be Taken From You

Artists that explore the relationships between people and animals, people and people and people and the natural environment capture my interest. Those that have great technical ability combined with an inventive approach I am likely to love. Fumi Mini Nakamara is one of those. This first work is from the Our Hands Will Eventually Destroy Everything Beautiful series. More can be found here
Fumi Mini Nakamura's website 








 

Your Secret is Safe with Us



Her works are just beautiful, she uses coloured pencil with subtley that can only be described as sophistocated. Here we can see the artist trying to convey the responsibility that we as humans have to the environment around us. Nakamura's clusters of natural forms, animals and humans reinforces ideas of the interconectiveness of all things, a notion that appeals to me greatly within my own work and others. 

 



 

Every Promise is Meant to be Broken

These two works are from the Himitsu Series that she produced between 2007 - 2009. Here Nakamuru explores the connections between people and birds, such lovely lyrical works.

You can also follow this link to a great article in Hi Fructose Fumi Mini Nakamara in Hi Fructose

In the Hand 2

I just came upon this fabulous artist though a pg 'Design Org' on Facebook. This particular 'In the Hand' work is just beautiful even if it is somewhat disturbing. Follow the link to view more of Kate MacDowell's porcelain animals. The media itself effectively reinforces her concepts. Kate MacDowell

Fresh on Felt

Wikitoriana Lace by Ella Thomas 2011

We have made it onto Felt. Even better there is an image of Wikitoirana Lace featured on Fresh on Felt, one of the blog posts that the site runs.

http://www.felt.co.nz/blog/

Urban Kereru

This gorgeous beauty was seen in the streets of Melborne, Australia. I don't think that he flew there of his own accord. What a gorgeous piece to put into a grey old urban envrionment. Thanks to Wooster Collective for this treasure.

You can check out their brilliant site here woostercollective

a bird in the hand . . . is kind of cranky.

As I was researching images on the net, I came across quite a few images of birds actually being held. In the process of monitering and assisting them, of course it can't be helped. It got me thinking about different notions around the saying 'A bird in the hand is worth two in the bush.'

a peeved piwakawaka

How old fashioned the values are behind that expression. With regard to endangered species and ecological ideals, it is completely the reverse now-a-days; we want them to be free and to be reestablishing themselves in our forests.

a beautiful kokako

I have to admit that I was silly and didn't record where I got these images, so if I 'borrowed' them from you. Please let me know and please may I use them :)

Here you can view the paintings that resulted from these ideas
http://ellathomaspaintings.blogspot.com/2011/02/bird-in-hand.html

Layer upon Layer

The darker a painting is, the more washes of paint that went into it. Tui in particular take quite a bit of working up to achieve the depth of colour that creates a similar lustrous effect like that on their feathers.

The first couple of layers rough out the shape, while the next ones start defining the tui's form.

Once the form is starting to take place, the planes of the feathers are worked up; until lastly the details within her plumage.

 

Finally she is finished, with the addition of her poi and collar feathers.

You can see additional images on Toggle, where she is available for purchase
http://www.toggle.co.nz/ella-thomas.html

Buried Treasure

Attempting to tidy up my studio, I came across some old letraset that I had forgotten about. In the pile was this sheet of flourishes of used on old copperplates.

They are just fantastic referencing Victorian printing and publishing. Previously motifs I have used have been based on kowhaiwhai and whakairo patterns. There is potential mabye for them to be combined?

'Korimako Iti' 2011

Gregory Euclide, one of my favourite artists uses swirls wonderfully within his work. They have strong calligraphic references, and add an energy and dynamicism to the compositions, often framing smaller scenes; vignettes within the larger work.

'Sea no Evil Benefit' Gregory Euclide

He too explores ideas relating to the environment and his work successfully fuses traditional painting techniques with contemporary drawing techniques; including using 'trash' materials like stickers and felt markers.



'Shook Suspension on Hidden Marsh'  Gregory Euclide

This work has a rather unfortunate connection to recent natural disasters within New Zealand. Euclide produced it in 2005, so quite some time ago.

You can see more of his recent work here, his relief scenes, installations and flat works are brilliant . . . enjoy
http://www.gregoryeuclide.com/

'Korimako Iti' is available on
http://www.toggle.co.nz/ella-thomas.html

Here is an article on Euclide's latest reliefs which are fantastic, hopefully you can read spanish
http://www.designaside.com/9664/arte/gregory-euclide?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+designaside+%28Designaside%29